Recent Work - THE LEAP OF FAITH SERIES - Monotype Bleed Prints
Leap of Faith / Hillside
Personal History / Leap of Faith
Leap of Faith / Sunrise
UPCOMING SHOW - Gallery RFD - GA
Back to Basics
Exploring Natural Materials
"Dirt Canvas, Deepstep, GA" by
Bryan Ghiloni
Exploring Natural Materials
Bryan Ghiloni
Guest Juror: Liz Atzberger
Visiting Artist / Lecturer
Florida Atlantic University, Boca Raton, FL
The natural world has long been an inspirational starting point for artists as well as a source for raw materials. Back to Basics intends to highlight the use of nature’s bounty in artistic production. Gallery RFD seeks submissions of work in media that employ natural or organic materials. Works that document, utilize or comment on the use of natural and organic wares are also welcome.
These are the 2 pieces of my work that will be part of the exhibition:
untitled - 2007
Cow Weed - 2007
For More Information:
For More Information:
http://www.galleryrfd.org/exhibitions/exhibitionsfuture.htm
Show at The Renaissance Center
The Renaissance Center has chosen two artists to feature in its 2nd annual Graduate Exhibition Oct. 2-Nov. 15 in the North Wing Gallery.
The exhibit began last year as a way of showcasing the work of an emerging artist who has just completed or will soon complete degree requirements at a university or art school located within the state. An opening reception for the 2008 Graduate Exhibition will be 6-7:30 p.m. Friday, Oct. 3.
Gallery curator Amanda Dillingham announced that Heather Hartman and Charlesey Charlton were selected by juror Christopher Tarpley, a professional glass artist who also served as juror for the 10th annual Renaissance Regional Art Exhibit.
“This exhibit specifically targets universities and art schools that have a Fine Arts program granting degrees within the boundaries of Tennessee,” said Dillingham. “Students who are completing or just have completed the art degree requirements at those institutions have the opportunity to submit work and have it juried for the chance to display in a solo exhibition at The Renaissance Center.”
The annual exhibit is designed to provide an exhibition opportunity for new and emerging artists. Jaime Raybin, last year’s featured graduate, is an alumnus of Watkins College of Art in Nashville.
“This year’s graduate portfolios were so impressive that we have included two artists whose work is complementary,” Dillingham said. “Both work in a similar atmospheric style but using different materials.”
Los Angeles native Heather Hartman attended Auburn University and received her Bachelors of Fine Art in 2005. Her work has been featured in shows throughout the Southeast. Most notably, Hartman’s work was included in Fresh Blood at Mason Murer Fine Art of Atlanta in 2005 and in Dreams Bright and Dark at Studio Swan in 2007. Her work has been written about by Dr. Jerry Cullum, senior editor of Art Papers, and is included in the Dreams Bright and Dark catalog. Hartman is currently working on her Masters of Fine Art at the University of Tennessee-Knoxville.
“My paintings deal with liminality. They address the uniquely human sensations of perception and cognition,” said Hartman. “I am interested in things that happen on the periphery of recognition, the nearly invisible. They are visual clues to the vast realm of the intangible, the things that are beyond our sensory understanding. Each morning as I wake up, I see the subtle play of light upon my wall. It flickers and moves indicating activity beyond the realm of my sight. As I stare, the light and shadows slowly pull me from my sleep into cognition. In the quiet stillness of that vibration resides the sensation of experience. This nearly invisible poetry on my bedroom wall is the link between the ephemera of dreams and the awareness of existence.
“The paintings are pulled from my own awareness and experience of light, color, atmosphere and other visual phenomena that hint at the existence of the invisible. These sensory passages strike me as beautiful and strange. They seem to immerge from another realm as reminders that there is something more, and I often find myself haunted by them. I feel compelled to recreate these visual experiences through my painting process, both as a means of analytical understanding and the expression of pleasure and wonder at their existence. Constructing the paintings is a form of meditation. My energies are focused on the process of creating. I act upon the painting until there is some transference of that energy, and the painting then begins to act upon me by recreating some part of that experience of the nearly invisible.”
Charlesey Charlton is a native of Greeneville, Tenn., an only child of an otherwise large extended family. She began pursuing her degree at the University of Tennessee, then transferred to Middle Tennessee State University where she earned a Bachelor of Science degree with a minor in Art in December 2004. After taking a couple of years off to assist her husband with his blacksmith shop, she was accepted on full scholarship at East Tennessee State University where she is working toward her Master of Fine Arts degree in Printmaking and is expected to graduate next year.
“I have decided to enrich my life by teaching and making art,” Charlton said. “I live in a small community, not far from where I was raised, with my husband and our three dogs, three horses, and several chickens. My life is simple. Simplicity is at the core of my world and work. I continue to work at developing my work to reflect the natural world that surrounds me.
“My life as a child has had a profound influence upon my work. Growing up in the Appalachia Mountains, the culture is rich and deeply ingrained in my life and work. My work is an interpretation of my memories and life experiences; they serve as rich sources in composing a piece of work. The connection to the land and the consumption of natural resources from this area is the cornerstone in my imagery.
“I work primarily with printmaking techniques and mixed media drawings. My process is straightforward. I start with an idea and then begin layering my composition onto the surface, be it canvas, paper or plate. I use mostly natural materials, such as native plants, that I collage onto the surface with gel matte medium, gesso and glue. After I achieve a desirable surface texture, I draw back into the image using coffee, ink wash, color pencil or gouache. By layering these materials I am attempting to undo the act of consumption. I am deeply influenced by the work of Anselm Kiefer and Mark Rothko.”
For more information on the Graduate Exhibition and other displays at The Renaissance Center, call (615) 740-5600 or visit www.rcenter.org. Galleries at The Renaissance Center are open 9 a.m.-9 p.m. Monday-Saturday and exhibits and all receptions are free.
AAF - New York City
Yes this is my work in New York City, U-Gallery had a booth at the AAF and I was one of their featured artist. My peice is in the upper right hand corner.
Landscapes - Monotype Bleed Prints - Summer 2008
View From Paul Baskette Rd
Hills Off Of Old Milburnton Rd.
Osage Orange Tree Trunk
Monotype Prints - Spring 2008
Personal History II
Twilight
Dissension
Greene County - View From Afar
Landscape - Quaker Knob
Monotype Prints - 2006 - 2007
Native Grass - Contradiction of Place
Variation In Line
I Forgot the Bright Side
Native Grass III - Contradiction of Reason
Horizon Line I - Contradiction of Line
Wind and the Rain
untitled
Sailors Warning
All That I Wish
Pieces of Present
The Only Shape I Pray To
Native Grass I - II & III
Test Plate - The Birds
Mixed Media Work 2006
"Rest"
"Diffusion of Rest II"
"Rest II"
Self Portrait
ARTIST STATEMENT
My childhood has had a profound influence upon my art. Growing up in the Appalachia Mountains, the culture is rich and deeply ingrained in my life and work. My art is an interpretation of memories and life experiences. The connection to the land and consumption of natural resources are the cornerstones of my imagery. I work primarily with printmaking techniques, but I also do mixed media drawings. My process is straightforward. I start with an idea and then begin layering my composition onto the surface, be it canvas paper or plate. I use mostly natural materials, such as native plants, that I collage onto the surface with gel matte medium, gesso, and glue. After I achieve a desirable surface texture, I draw back into the image using coffee, ink wash, color pencil, or gouache. By layering the materials I am attempting to undo the act of consumption. Also, I sometimes incorporate the female figure into my work as an archetypal image. I am deeply influenced by the work of Anselm Kiefer, Mark Rothko, and Cy Twombly.
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